Worktop fabrication in Well Hall

Yes. Well Hall is on the patch, and the postcodes we work here are SE9. It is run from the New Malden side, covering South West London & Surrey. Unrestricted kerbside is straightforward as long as the space in front of the property is actually clear when the van arrives. It rarely changes what we cut, but it does change how the pieces are stacked and strapped for the run out. It is decided in the yard, not at the kerb. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

The back door frequently opens straight into the kitchen, which is the best carry route in the house and the one people forget to mention. Most of these have a side passage and a back door, so a full-length piece can usually reach the kitchen without being cut down, and the piece sizing is driven by the slab rather than the route. Settled on the drawing, cut once. Nothing on this estate is a standard depth or a standard angle — template everything and assume no repeat pieces between houses.

A conservation area of narrow lanes, grass verges you should not drive across and very few dropped kerbs; parking is on-street and often a fair distance from the house. Where the van stands level with the front of the house a piece gets handled twice instead of five times, and stone breaks on handling rather than on the road. Getting that wrong leaves a finished, machined piece that cannot reach the room, which is a remake rather than a trim. Once the cut-outs are machined there is no going back on it. Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it.

It is one of the three we do most here, behind worktop templating. Same template visit, same workshop, same installers either way. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Cutting several kitchens from different slabs and calling them matched is where firms get caught out. Proven on the bench before dispatch. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Cutting several kitchens from different slabs and calling them matched is where firms get caught out. Same slab run, or it is not a match.

Galley runs are usually short enough to come out of a single slab, so the material band you choose does more to the total than the room shape does. A join that lands in the wrong place cannot be moved once the cut-outs are machined, so it is settled on the drawing. Every join sits over a gable. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

A low sill over the sink run is what decides between an upstand and stone dying into a window board, and there is often less clearance than an upstand is tall. Cut it square where it should be radiused and the piece will fail on the lift, not in the kitchen. The drawing decides it, not the fitter. The peninsula end detail needs deciding up front - square edge, mitred apron down the end, or a full waterfall - because a waterfall end has to be cut in sequence off the same part of the slab as the top. The householder is normally on site at template, and that is the right time to settle sink position, tap centres and overhang rather than agree them by email. Changing an appliance after the nest is set means recutting the piece, not adjusting it. The approved drawing is the instruction.