Splashbacks and upstands in Shad Thames

Yes. Shad Thames is on the patch, and the postcodes we work here are SE1. It is run from the New Malden side, covering South West London & Surrey. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. That is why they are crated the way they are. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

The goods lift is generous and the flat entrance often is not, so the tightest point on the route is inside the flat rather than in the building. Setting proud is usually the better call — it reads as a deliberate detail rather than a bad fit, and it avoids trying to scribe stone to a surface that has no consistent plane. Cut from the same slab run as the tops. Measure the lift and the stair turn before you cut anything - a slab that fits the kitchen but not the lift is a wasted day here.

The street itself is cobbled and shaded by the overhead gantry bridges with no room to park a van beside the door; lifts are small original goods lifts or tight passenger cars, so oversized pieces have to be planned to fit the car diagonally or go up the stairs on edge. The lift has to be booked and blanketed before anything moves, and that booking needs to cover the old tops coming out as well as the new stone going in. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. It decides panel size before anything is cut. Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop fabrication and worktop installation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. A kitchen carved out of a larger room sits under whatever the original plan left behind, so the run frequently ends at a blocked doorway or a boxed-in service. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Siliconed to the worktop, never grouted. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, same run, same day.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Legs bottoming out on hard concrete or an uneven screed mean the tops of the carcasses are not one plane, and that is picked up at template rather than on fitting day. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Make the wall good first, or accept the detail. Decide and build the backing method — scribe, subframe or board — before the template, because the templater is measuring to that face and not to the brick. A let property is specified for durability and for a fixed window, and both of those are legitimate reasons to choose differently. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. Same slab run as the tops.