Splashbacks and upstands in Soho

Yes. Soho is on the patch, and the postcodes we work here are W1D, W1F. It is run from the Watford side, covering Hertfordshire & North London. A red route means no stopping, and no stopping means exactly that, so the stone comes in from a side street or from a bay behind the property. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. One trip is always better than three. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Listing and conservation conditions apply to a good number of these, which constrains what can be altered around the kitchen rather than what goes on top of the units. A 100mm upstand bedded on silicone is the honest answer where the plaster bows, because it rides what a tall panel exposes. Cut from the same slab run as the tops. Winder stairs in these old houses mean the maximum piece that will physically turn is often around 1.8m - design the joints for the staircase first and the kitchen second.

The hardest access in the borough. No parking at all, pedestrianised sections, servicing windows that clash with restaurant deliveries, and 18th-century houses with 700mm doors and steep dogleg stairs with winders and no landing. Night-time economy means the working window is genuinely 8am to lunchtime. Stone goes up on edge, and it is the half-landing turn rather than the flight itself that sets the maximum piece. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Joint positions follow from that. Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop installation and worktop replacement. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. A kitchen carved out of a larger room sits under whatever the original plan left behind, so the run frequently ends at a blocked doorway or a boxed-in service. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Same batch, same run, same day.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. The joint to the worktop is siliconed, never grouted. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Window boards and cills stand proud of the plaster, so the back edge of the top has to be plotted to where the units actually sit rather than to the wall. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Scribed, dubbed out, or set proud. Pick one. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. Decided before fabrication, not after.