Splashbacks and upstands in Regent's Park

Yes. Regent's Park is on the patch, and the postcodes we work here are NW1. It is run from the Watford side, covering Hertfordshire & North London. A red route means no stopping, and no stopping means exactly that, so the stone comes in from a side street or from a bay behind the property. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. That is why they are crated the way they are. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Walls are thick, lime-plastered and built in a soft brick, so they take a scribe well and take a fixing badly. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here — it rides the bow and hides the junction the worktop can never close on its own. Cut from the same slab run as the tops. In the Nash terraces you are working under listed consent against vaulted, uneven basement walls where nothing is square, so template on site and expect a scribe on every back edge.

The Outer Circle has strict waiting restrictions and no loading in front of the terraces, so access to the listed houses is by an area stair or a rear service entrance. The post-war estate has its own internal roads and lifts, which is a completely different set of rules on the same day. A walk-up with winders at every half-landing means the piece is rested and re-gripped on the way, so the crew size goes up before the piece size comes down. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Joint positions follow from that. Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop design & quotation and worktop installation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Siliconed to the worktop, never grouted. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Same batch, same run, same day.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Scribed, dubbed out, or set proud. Pick one. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. Same slab run as the tops.