Splashbacks and upstands in Hackney Wick

Yes. Hackney Wick is on the patch, and the postcodes we work here are E9. It is run from the Essex side, covering Essex & East London. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. That is why they are crated the way they are. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

The goods lift is generous and the flat entrance often is not, so the tightest point on the route is inside the flat rather than in the building. Setting the panel proud on a subframe with a shadow gap reads as a detail; scribing to raw brick rarely does. The wall makes that decision, not the brochure. Walls in these converted units are rarely plumb and often bare brick, so an upstand shows every undulation and a separate stone splashback scribed to the wall works far better.

Narrow lanes between the canal and the railway, gated yards, and buildings designed around goods vehicles rather than parking, a few still with loading doors and hoists. Newer blocks have booked service lifts while the older conversions can mean a long industrial stair. Where the lift will not take the longest run we design a join in rather than gamble, because a piece that will not go up has to go back on the van. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Joint positions follow from that. Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop fabrication, worktop installation and worktop design & quotation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Same batch, same run, same day.

The catch with a galley is that both runs are seen end-on from the doorway, so any difference in overhang between the two reads immediately. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Corners get their own pieces. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. An upstand rides what a panel exposes. Decide and build the backing method — scribe, subframe or board — before the template, because the templater is measuring to that face and not to the brick. A let property is specified for durability and for a fixed window, and both of those are legitimate reasons to choose differently. Full-height panels need the wall made good first, which is another trade and another timescale. Decided before fabrication, not after.