Splashbacks and upstands in Angel

Yes. Angel is on the patch, and the postcodes we work here are N1, EC1. It is run from the Watford side, covering Hertfordshire & North London. Where the frontage is a clearway the unload happens away from the door and the carry gets longer, which is a crew and time question rather than a stone one. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. That is why they are crated the way they are. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Walls are thick, lime-plastered and built in a soft brick, so they take a scribe well and take a fixing badly. A 100mm upstand bedded on silicone is the honest answer where the plaster bows, because it rides what a tall panel exposes. Cut from the same slab run as the tops. Check the filtered-street layout before fit day, because a wrong turn through a camera gate costs more than the delivery and the legal approach usually adds a long carry.

Upper Street is a red route with bus lanes, City Road and Pentonville Road are red routes on the southern edge, and the side streets are controlled Monday to Friday with some seven-day bays near the Green. Several surrounding streets sit inside camera-enforced traffic filters, so the route in for a van is not the route a satnav gives you. Rear access usually lets us fit longer pieces whole, so the join count ends up decided by the slab rather than by the building. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Joint positions follow from that. Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop replacement, worktop templating and worktop installation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. Conversions put kitchens where the services could be made to reach rather than where they belong, so runs are short and interrupted. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Same batch, same run, same day. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Corners get their own pieces. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

The stone carries the scribe because the wall cannot be persuaded, so back edges are cut oversize and eased in rather than dropped straight down. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Scribed, dubbed out, or set proud. Pick one. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Decided before fabrication, not after.